The Appalachian Shanachie and Oral Storytelling

Reading Time: 4 minutes
Irish Shanachie Storyteller
Storytelling doesn’t need a stage—just a few listeners and a place to sit

You can still hear them sometimes—those old voices. They live in stories passed across porches, handed from generation to generation, without being written down. Before people thought to call themselves storytellers, they just told. And someone else remembered.

Back in Gaelic lands, those voices had a name: Shanachie. Shanachie was the memory-keeper of the clan. The person who carried the family’s history, the village’s legends, and the stories that didn’t make it into church records. We didn’t use the word Shanachie here in the Blue Ridge, but the job? We had it. Still do.

When the Story Was the Record

Not long ago, books weren’t part of everyday life. There were a few; Bibles, mostly. Books were expensive. School years were short. Students wrote with chalk on slate writing boards until after World War I.

But life kept happening, and somebody needed to remember it.

So, people told stories aloud. A mother might explain how to plant potatoes based on what her father swore by. A neighbor might describe the storm that took the roof off the gristmill. Kids learned what mattered by listening while adults swapped stories near the stove or while hanging tobacco in the barn.

Those stories weren’t decoration. They were a part of life. They were how you learned who you were and what the world expected of you.

‏irsh schanachie

The One Who Knew

Most communities had at least one person who could hold a room with nothing but a voice. You didn’t have to ask them twice; they were always available to share a story.. They had a way of speaking that let you know they’d seen a few things. Maybe it was the oldest uncle, or the neighbor with a sharp memory (but no filter), or the preacher who wandered off script just enough to make the congregation lean in.

They didn’t memorize lines. They remembered—in the old way, where facts lived alongside feelings and a story’s shape mattered more than getting every date exact.

And you trusted what they said, even if you didn’t believe every word.

The storyteller wasn’t there to impress you. They were there to connect the past to the moment you were standing in. That was the job.

The Rhythm of Real Talk

Mountain speech has its own texture. It bends and lilts in ways that shape a story, even if you don’t mean to add emphasis. That helped. So did a lifetime of listening—really listening—to how people talk when they’re not performing.

Good storytellers knew how to work silence. They didn’t fill every pause. They let a sentence hang when it needed to. Their timing came from years of watching how folks reacted—not from rehearsals.

They might circle back and repeat a line or stop and start again to make sure you caught the important part. And if a kid wandered off, they knew just when to slip in something spooky or funny to draw them back.

They weren’t trying to be poetic. But when the words were right, they had music in them anyway.

Sean Deitrich
Sean Deitrich, aka “Sean of the South” is this author’s favorite storyteller. Image: Wikipedia

What Changed—and What Didn’t

The world picked up speed. Radios came in. Schools ran longer. People started writing things down, typing them, and saving them to computer folders. Nothing wrong with that. But the world shifted.

You didn’t need to remember as much. You didn’t have to listen as closely. And little by little, the stories that weren’t written down stopped being told.

Still, the good ones hang on. You’ll hear them in barbershops, break rooms, or the quiet space after someone says, “Well, let me tell you how it was back then.” The storytellers are still with us—they just wear different clothes and tell their stories in other places.

And they still matter, maybe more than ever.

Storyteller's_Cafe
Venues nationwide are adding live storytelling to their performance schedules.

Passing It On

You don’t need a stage to tell a good story. You don’t need a perfect memory or a dramatic voice. All you need is something you lived through—someone willing to listen.

It might be something small. The way your grandma made biscuits without ever using a measuring cup. The neighbor who always waved from the same spot in the yard. The winter the pipes froze and you all had to carry buckets from the spring.

That’s enough.

When you share those stories, you’re not just making conversation. You’re doing what people in these hills have done for generations. You’re holding onto something that might’ve slipped away otherwise.

You’re becoming a Shanachie.


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